In Paul Duane’s film, the growing sense of being lost in a Celtic variation on Hieronymus Bosch is stirring in the most creatively disagreeable way
Olwen Fouéré
Irish director Paul Duane has financed All You Need Is Death largely out of his own pocket. Now the horror film is generating a lot of buzz
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The Dublin theatre teams up with Sydney Theatre Company to celebrate the underperformed Austrian great Thomas Bernhard
The distinctive actor and performer, currently on television in The Tourist, resists convention in both her work and personal life
Review: There’s very little to be said for this squalid sequel to the 1974 original
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‘Beckett is quite a good voice, I would imagine, in terms of the tone of pandemic’
Review: Neasa Hardiman’s maritime horror is a flawed but impressive ‘big screen’ debut
The actor on her salty turn in Neasa Hardiman’s contagion-themed debut feature
The actor on staying in character and why starring in Emma is a rite of passage
The 1982 debut from the composer and singer is still challenging
A leading light of the Irish avant-garde conjures up her father’s wartime experiences
The actor’s role in ‘Danse, Morob’, a play that touches on the dirty protests of the Maze and other traumas, explores how revolution can break those whom others see as heroes
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